Monday, June 17, 2013

Climbing Heartbreak Hill is now available!

by Joselyn Vaughn

Time to Celebrate!! Climbing Heartbreak Hill is now available!

Professional runner, Ryan Grant, blows out his knee training for another attempt at the Boston marathon and the dreaded Heartbreak Hill. Ryan retreats home, not looking for anything more than a fast recovery, but he finds solace in the arms of his tax preparer, Tara Mansfield.
Tara’s cheerleading career ended abruptly and she faces an upward climb beating the stereotype as dumb blonde in her new calling as an accountant. Framed with defrauding the IRS during the last weeks of the tax season, Tara’s tentative confidence is shaken, but Ryan coaches her in ensnaring the true perpetrator. She cheers him on in discovering his identity as a coach rather than an athlete.
With the help of the junkyard king and a mechanical bull, can Tara and Ryan find the courage to climb Heartbreak Hill together?

A portion of my proceeds from Climbing Heartbreak Hill will be donated to the One Fund Boston to help those injured at the finish line of the 2013 Boston Marathon. 

Buy Links:

Excerpt:

Tara tapped her foot while Ryan settled in the tank and
others lined up behind her for their chance to dunk him. A dollar
for three throws at the target. Tara reached for her purse, then
changed her mind. She bent and picked up Ryan’s coat. After a
quick search of the pockets, she found his wallet. Unfortunately, it
was devoid of cash. She flipped it closed, then opened it again to
peek behind the credit cards. Ah-ha! An emergency twenty. She
kept cash hidden to use only for an emergency, too. She slid the bill
out of the pocket and crushed it in her fist. If she didn’t let off some
of this anger and disappointment, it would be an emergency.
She tossed the crumpled bill at the attendant and stepped up
to the line.
“How many throws?”
“All of them,” Tara said, holding her hand out for the
marred softball. She rubbed her fingers over the crusty leather and
stared at Ryan. A golden opportunity lost. She wound up and
chucked the ball. It went high and wide of the target. Someone
behind her made a remark about throwing like a girl. Ryan gave
her a thumbs-up. If he thought that was a good throw, he had another
thing coming. He should think twice about encouraging her. She
needed a couple throws to get warmed up. She grabbed the next
ball and wrapped her fingers around the seams.
“You should take the job,” she muttered as she let this one
fly. It dinged the corner of the target, but not hard enough to
trigger the release. The ball ricocheted off the tank, and Ryan
almost dunked himself when he flinched.
He might have said “what was that?” but Tara screwed up
her mouth and reached for another ball. She had been through
enough this week with the stress of tax season, Chuck’s demands,
and Ryan’s stupid, stupid obstinacy. “Lead me on, did you?” She
whipped the ball at the target. She missed again, this time nailing
the acrylic glass surround with a vicious thunk.
“Somebody’s got some anger issues,” the man behind her
said under his breath.
Tara snatched another ball and whirled around on her heels.
She shoved the ball under his nose. “Unless you want this ball
blocking your next sneeze, you’ll keep your comments to yourself.”
The man stepped back a full yard and put his hands up to
protect his ability to shoot germs from his nose.
“Thank you.” Tara pursed her lips and turned back to the
tank. She tightened her focus on the red bulls-eye. This time Ryan


was hers. She whipped the ball with a caveman-like growl.

Friday, June 14, 2013

Marilyn Shank on the Casting Couch with Sheila Claydon



Marilyn Shank is sitting on the Casting Couch today, talking about her books and how she finds the characters that live in them. She says she can't write about them until they begin revealing themselves and if she get's it wrong they sulk. Well having read some of her books as well as the blurbs for the rest of them, all I can say is that she's one brave lady. Every one of her characters get into a lot of trouble one way or another, and talk about strong-minded…there isn't a single one who is any sort of a pushover.
* * *
Welcome Marilyn. I really enjoy meeting fellow writers on my Casting Couch and to get us started I'd like to know whether you work through the plot first and then cast the characters when an idea strikes, or is it characters first? Or does it vary?

The characters always show up first.  They begin revealing themselves and I get a vague idea of who they are.  If I give them the wrong names, they won’t do anything but sulk.  But when I change the name, bingo!  They take action. I was a third of the way through one of my books when I woke up one morning and realized that my heroine was Irish.  Her last name wasn't Mason, after all.  It was O'Leary.  By making that switch, Katie became much more real as a character.  She had a stronger identity and so did her beloved grandparents who raised her.  What a difference a name makes.

My characters continue to reveal their personalities as the book develops.  I've tried plotting and once I even made a detailed outline, but when I finished it I had no desire to write the book.  I don't want to know what happens as the story unfolds.  I let the characters supply that information.

My last two books started in a really unusual way.  The titles came first.

That really is different. Can you give an example from a published story?

Yes. When I read the headline Daddy with a Deadline on a cover story in the Kansas City Star one morning, it intrigued me, and I wondered what kind of book I could write using that particular title.  I created a heroine who is pregnant with twins and whose husband doesn’t want the babies.  Then the husband is in a serious accident and before he dies he asks his rancher friend to help Annie during the last month of her pregnancy.  That’s how I approached working with that theme.

I noticed Bride by Mistake when I read through a listing of old movies and wondered if I could craft a story around that title.  It's how the first of my identical twin books was born.  I'm thrilled that Bride by Mistake, a Montlake Romance published by Amazon, has sold very well since it was released on January 8, 2013.  And because I had so much fun writing Bride by Mistake, I wrote the second twin's story and call that book Bride by Chance. It will be released shortly.

I'm so intrigued by that idea. It's going to have me looking at newspaper headlines in an entirely different way in future. When you start writing a book, which characters are the hardest for you to develop? Is it the hero, the heroine, the villain, or the secondary characters?

For me, secondary characters are the hardest.  Unfortunately, some of them decide to hijack the story and make it all about them.  (I once had a manuscript rejected when a secondary character did exactly that.)  But in spite of the danger, I enjoy creating secondary characters.  I make them colorful by giving them unusual names or quirky habits.  Often they own a cafe or bookstore and their presence defines the setting and adds local flavor.  If a heroine’s best friend is a key player in the story, I make her less quirky and more like the heroine.

I love that one of your secondary characters got your book rejected for you. I thought my characters ruled my life but that is something else! When you need to decide how your characters should look do pictures inspire you or do you think of someone you know? Or perhaps you just rely on an active imagination or another method entirely. Have you ever based them on someone you know? 

My characters are never based on a picture or on anyone I know.  The few times when I've cut out pictures and put them on my bulletin board, my muse turned up her nose and said, “Are you writing this book or am I?”  She's actually quite rude and controlling!
Many readers like to use their imaginations on how the hero or heroine look.  I know I do.  Of the six books I have published, only one has a picture of the hero and heroine on the cover.  And while the publisher tried hard to make a good cover, I prefer the ones that don't show pictures of the characters.  Of course this is personal preference.

I can identify with it though. I've written a book knowing exactly how my hero and heroine should look, only to find out that the cover designer had a different idea and I had a lot of adjusting to do. What about character traits though? Do you have a system for developing those? I know some people use Tarot or Astrology. Others produce detailed life histories. One writer I interviewed is so organized she even uses a Goal, Motivation and Conflict chart. What about you?

At various times I've tried to turn myself into a plotter.  Many writers swear by plotting and claim they can write many more books because they plot.  So several years ago I bought a thick notebook entitled Goal, Motivation, and Conflict.  I read the notebook from cover to cover, attempted to do some of the exercises, and wanted to shoot myself.  I love to organize my home and my life, but when I try to organize or define my characters they revolt and run away.  So I shrug my shoulders, turn the story back over to them, and it starts flowing again.  Every writer has a different style that is perfect for them and makes them unique at their craft.  I'm a seat-of-your-pants writer and I love it.

Me too Marilyn! Now just one more thing. Do you always like your characters? Are they people you would want to spend time with? Assuming they are not just a paper exercise, who, out of all the characters you have written about, would you most like to meet, and why?

The characters I create are my friends.  After all, they've let me into their lives and allowed me to tell their stories.  I don't know much about them in Chapter 1, but as the book evolves I learn more and more.  And if they trust me, they'll tell me their deepest secrets.  But it's a process.

I would most like to meet Liza O’Malley, the heroine of my new book Bride by Chance (June, 2013).  Liza’s a high-powered Kansas City attorney who can’t stand by and watch her identical twin Meg marry the wrong man.  (Bride by Mistake.)  So Liza reconnects Meg with her high school heartthrob then moves into Meg’s cottage and falls in love with “wrong man” herself.  I like watching Liza start to relax as she slows her pace.  Her personality changes as she realizes she’s missed out on a lot by becoming a workaholic.

Stephen King and I think alike about character development and plotting.  In his book On Writing, King says, “I…put a group of characters (perhaps a pair; perhaps even just one) in some sort of predicament and then watch them try to work themselves free.  My job isn’t to help them work their way free or manipulate them to safety – those are jobs which require the noisy jackhammer of plot – but to watch what happens and then write it down….  The situation comes first.  The characters – always flat and unfeatured, to begin with – come next.”

I love it when one character throws in a twist I didn't see coming.  By the time I’m nearing the end of the book, I know all their dreams, conflicts and goals and how they will reach their goals.  In real life, only our closest friends and family members reveal intimate details of their lives.  It's a gift when people open their hearts and trust us with their stories.

Who could ever disagree with Stephen King. His advice is always so good and you have certainly taken it to heart because the characters in your books really do come alive for you don't they? I also love that you think of them as a gift and that you keep on talking to them right to the end of each book. Thank you so much for sharing them with me.
* * *
Marilyn Shank worked as a legal secretary, office manager, proofreader, and editor before discovering her true passion:  writing romance and romantic comedy. She holds a bachelor’s degree in English from the University of Missouri at Kansas City and has taught writing workshops in public schools and libraries.  Among Marilyn’s favorite pastimes are reading, amateur radio operation, and traveling the world with her husband John.  Originally from Chicago, she now lives in Independence, Missouri.

 You can find her at  http://www.marilynshank.com and all her books are available at http://amzn.to/14wzDRj

Sheila Claydon's books are available at http://amzn.to/101Cg0E

Thursday, June 6, 2013

Preview of Upcoming New Release

The Women of Independence

by Mona Ingram

BOOK ONE:
Loving From Afar

Prologue

Dani tightened the last screw on the bracket, mounted the fan, and slipped the screwdriver back into her tool belt. “Much better,” she said, with a satisfied bob of her head. “That’ll help to vent the place.” She poked at the double layer of poly that covered the domed greenhouse. “It’s a great setup.”
“Thanks to you.” Allison smiled at her friend. “You know, it’s been years, and I still can’t believe you run a successful construction company. What did you say you have lined up for your next project?”
“Mr. And Mrs. Berkshire’s sunroom. They’ve asked me to tear off the old one and build them a snazzy new one.” She watched the air sweep over the seedlings in the greenhouse. “I’m looking forward to it. Did you say the airflow from the fan is actually good for the seedlings?”
Allison was accustomed to her friend’s abrupt changes of subject. “Yes.” She wiped sweat from her forehead with the back of her hand. “The air strengthens them while moderating the temperature.” She tugged on a pulley at the end of the greenhouse and opened a 2’x2’ flap on the end wall. The vents had been Danielle’s idea when she put the structure together. She’d installed one vent at each end to catch the gentle breezes that swept through the valley.
“The Berkshires. They’re Timothy’s parents, aren’t they?”
“That’s right. Really nice people.”
“Did you ask them about Timothy?” Allison forced herself to look her friend in the eye. “About where he is now?”
“I didn’t have to ask. They were eager to tell me all about him. He’s in Vancouver and doing well. He works for a company down there that provides services to the television and film industries. Apparently he scouts locations and stuff like that.”
“Huh.” Allison picked up a handful of potting soil and closed her fist around it. In the heat of the greenhouse, the Pro Mix dried out quickly. She’d have to dampen it down again before she did any more transplanting. She raised her head. “Back in high school, was I the only one who didn’t know that Timothy was gay?”
Dani lifted her shoulders. “I can’t honestly say that I knew, either. He didn’t come out or anything.” She raised an eyebrow. “Cole never said anything?”
Allison shook her head. “Nope.” There was a catch in her throat. “I thought we shared everything.”
“Guys are different about stuff like that. Anyway, it was what...ten, eleven years ago? People weren’t so open.” She turned thoughtful. “Timothy was lucky that Cole befriended him. He needed all the protection he could get. I think the other kids sensed he was different, even if he never confirmed it.”
A wry smile twisted Allison’s lips. “Yeah, Cole was like that.”
Danielle paused, and took a deep breath. “He’s back, you know.”
Allison’s head came up sharply. “Timothy?”
“No. Cole.”
“And just how long were you going to wait to tell me?”
Danielle grinned. “I’m telling you now.” Her smile faltered “I hear his father’s been ill.”
“Why haven’t I heard that?” Allison frowned.
“Because you hide yourself out here? Because you have no social life anymore? Just the other day, Faith was just saying she hasn’t seen you in over a month.”
“What about you? When was the last time you were out on a date?”
“Oh, no you don’t.” Dani’s eyes flashed. “This isn’t about me. And don’t tell me that going out with Mark counts as a date. You two are just propping each other up.”
“No fair! I–”
Dani shook her finger. “You shouldn’t tell me these things if you don’t want them to come back at you.” She looked at her watch. “I have to go.” She walked out the wide greenhouse door and looked at the long, straight rows of black plastic, ready to receive the seedlings. She turned slowly. “He looks hot, Al. I scarcely recognized him.”
Allison closed her eyes and let her head fall back. The sweep of air from the fan cooled her momentarily, but it would take more than a fan to cool down what she still felt for Cole Slater.
Dani’s tone was gentle when she spoke again. They’d known each other too long; had helped each other survive too many emotional train wrecks. “I thought I’d better warn you,” she said softly, then climbed into her pickup truck and headed up the long driveway to the road that ran along the high side of the valley.
* * *
Cole found himself on the twisting road that led through Hidden Valley. The road surface was lumpy and badly patched, much as it had been when he was a teenager. The difference was that his bike was bigger now, and it took the twists and turns with ease.
He knew that Allison had bought a place out here, but he wasn’t ready to see her yet... if ever. She was growing flowers, of all things. Flowers for drying. Evidently she made them into bouquets and sold them all over the Okanagan. He told himself he wasn’t looking for her place, but even so, he noticed the sign by her driveway as he roared past. It wasn’t large, as signs went, but it didn’t need to be, considering that she didn’t encourage visits from the public. It read The Flower Farm. He caught a glimpse of rows of black plastic as he passed, and smiled to himself. It was difficult to picture Allison farming...even if it was flowers. As far as he could remember... and he remembered everything... she’d never shown any interest in gardening. But that was all so long ago...
Lost in memories, he found himself at Green Lake in no time at all. He and Allison had come out here a lot when they were young. The numerous beaches along Okanagan Lake were a magnet for tourists as well as the locals, and as a result, they generally had Green Lake to themselves.
He parked the bike and squeezed through the turnstile gate, heading for what he still thought of as “their” spot. Ponderosa pines offered shade, and the sweet scent of resin filled his nostrils. Dried pine needles crackled underfoot and memories engulfed him. He sat down at the edge of the steep hill leading down to the lake, and took it all in. Very little had changed since the last time he was here. The place was silent, except for some intermittent birdsong. He braced his arms on raised knees and lowered his head. Now wasn’t the time to dwell on those days. His father was ill... probably dying... and he needed to keep himself strong for the ordeal that lay ahead.
So why had he come here, where memories of his time with Allison were the strongest? Why was he torturing himself, wondering what might have been?
The answer was obvious, even if he didn’t want to admit it. He’d never gotten over her. Never gotten over the shock of what had happened. Back then, his father had been dating a nice woman. Cole had driven home, told his dad that he was leaving, and taken off like a bat out of hell. Taken off to make a new life for himself; a life where he controlled the outcome, a life where he wouldn’t have his heart ripped to shreds by a woman.
The distinctive chatter of a Kingfisher brought his head up. He searched the trees along the edge of the lake but couldn’t spot it. It didn’t matter; just knowing the bird was there was comforting. It meant that there were still fish in the lake. Some things, at least, had stayed the same.
He’d loved growing up here in Independence. The other guys his age had talked constantly about getting out, about going to a larger town, but he’d been content. His mother had died when he was young; he scarcely remembered her. His dad had lived by the Golden Rule and expected him to do the same. It had seemed corny at the time; corny and old fashioned, but as Cole grew older, he’d come to appreciate his father’s wisdom.
They’d lived in a small mobile home park that was tucked into one of the narrow valleys that ran roughly parallel to the lake. There’d been those few months right after his mother died, when his father hadn’t known what to do, but other than that, Marty Slater had done a great job of raising him.
The fact that his father had smoked all his life was catching up with him now. Since he’d left home, he’d managed to see his father a couple of times a year. His father usually came to Vancouver Island, where Cole ran a successful business, but when he’d arrived back in town yesterday, he’d been shocked to see the rapid deterioration in his dad's health. These days, Marty Slater spent most of his time in a big recliner facing the television; Cole could tell by the way he’d gathered everything on two side tables. Books, remote controls, cell phone, tissues, and the pain pills he’d tried unsuccessfully to conceal. Loose, baggy clothing could not hide the fact that he’d lost a lot of weight. Cole wondered idly if the doctor would give him an estimate of how much longer. Probably not.
“Jesus,” he said aloud, and dropped his head again. It was almost too much to take in. He’d always been aware that his father flirted with lung cancer every time he lit up, but he was only in his mid-fifties. It was too soon for him to die. He wondered if Allison knew.
He pushed himself to his feet. Damn her for creeping into his thoughts at a time like this! But then whose fault was that? He’d been an idiot to think that by coming here, where they’d shared so much, he could face up to the past and get her out of his system. This was where they’d dreamed of a future together and every thought led him back to that time.
A loon warbled on the lake, but he didn’t look. He had to get going, get away from this memory-laden place. Besides, the community nurse was coming to check on his father right after lunch, and he wanted to be there when she arrived. The nurse might be more forthcoming about his dad’s prognosis than the doctor.
Reflection from the black plastic caught his eye as he rounded a corner. He knew the road well, and this was where he’d seen Allison’s sign.
He slowed his bike, knowing he shouldn’t, but something compelled him. He tore off his helmet, braced his feet on the loose gravel at the top of her driveway, and looked down at her place.
Movement in the greenhouse drew his eye, and a woman emerged. At first he wasn’t sure. The woman was about the right age, but there was something different about her; about the way she carried herself. The bright aura that had always surrounded Allison was missing from this woman. And yet... there was something achingly familiar about her.
The woman raised a hand, as though to wave at him... or was that wishful thinking? She fussed with her hair, then shaded her eyes and looked directly at him. And then he knew. This was Allison. The bond they’d developed a decade ago still pulsed between them. He could see it in her eyes, even from this far away, and it scared the hell out of him. They stared at each other for a long, intense minute. Then he replaced his helmet, started the bike and drove off.
* * *
Allison invariably looked up when she heard a motorcycle. Some people, like her friend Faith, looked to the sky when they heard an airplane; with Allison it was motorcycles. She pretended she didn’t know why she looked, but she wasn’t kidding anyone, especially herself. Cole had bought a motorcycle as soon as he was old enough to get a permit, and ever since, the sound made her heart leap into her throat; made her pulse speed up a little. Her reaction had mellowed over the years, but it was still there, springing to life every time she heard that distinctive sound. She’d always believed that he would come back one day, even though things could never be the same. Too much time had passed for that, but she still hoped.
The motorcycle had stopped at the top of her driveway. The driver braced himself, removed his helmet and looked down at her. He made no sign of recognition, but he didn't need to; she knew it was Cole. She raised a hand to wave, then caught herself just in time and raked her fingers though her hair. If she waved and he rejected her now, her heart would break.
She shaded her eyes and stared at him, willing him to come down the driveway and say hello. The longing to see him again, to hear his voice, to feel his touch, was almost more than she could bear. She knew he’d been up at Green Lake. It had been their spot to go and talk; the fact that he’d been out there must count for something.
Or not. He drove away and she dropped her hand, defeated. It was clear from the way he’d looked at her that he still found her repulsive. Tears burned behind her eyes. How could she have allowed herself to think that he might still feel something for her? She tossed her gloves onto the potting table in the greenhouse, grabbed a clean rag from the box by the door and headed for the creek that ran through her property.
Jones Creek meandered down the bottom of the valley, through town, and eventually emptied into Okanagan Lake. Home to trout, muskrat, a few mink, and duck families in spring, there was always something to see along the creek’s edge. She headed for one of the old chairs set up under the willows and used the rag to wipe away bird droppings and leaves. It had become her favourite spot on the property, and at this moment, she needed the calming influence of the burbling water and the soft sway of the willow leaves more than ever. Seeing Cole had stirred up too many old emotions, both good and bad. Memories that seemed like they’d happened only yesterday...

Thanks for reading
Estimated release date:
28 June, 2013

Friday, May 24, 2013

Tracey Sorel on the Casting Couch with Sheila Claydon



 Zinfandelity by Tracey Sorel


(March 2013)



What better way to think about a new book than over a glass of wine. And that's what Tracey did when she started to write Zinfandelity. At the time she lived in the lovely wine-infused area of Livermore where she quickly discovered what wine tasting and living in a wine region was all about...and from this came Zinfandelity. One look at the picture on the cover is enough to draw the reader into a story that's about women supporting one another while not forgetting that they need romance (and wine) in their lives.

I am so pleased you agreed to sit on my Casting Couch, Tracey. Now I want to hear all about your latest book.
* * *
What prompted the idea for this book?

I was standing in line at a Wine festival in Northern California, waiting for a bus to take my friends and me to the next winery for a tasting, when we began to pass the time by coming up with fun names for wine labels. One thing led to another and the Zinfandelity title became the jumping off point for the first book in my Wine Country Vixens series. And I just love the idea of writing about a group of friends who gather a few times a month to taste wine and chat about their lives. The tag line “Debbie Macomber meets Desperate Housewives in wine country” kept haunting me too! What could be better than combining those two elements into a series?

I absolutely love your jumping off point for Zinfandelity, Tracey. And I'm sure all the women I know would agree with me. Wine, chatting, girlfriends, and thinking about the next book...what's not to like! Did you work through the plot first and then cast the characters, or was it characters first?

The characters came first. I knew Zinfandelity was going to be about a woman in her early thirties faced with her husband’s infidelity. I also had an idea for a group of women by her side helping Beth survive her marriage breaking up.

Marriage break up and infidelity are not easy subjects to write about. Which characters were the hardest for you to develop and why?

I think the hardest thing for me was not creating the characters so much as coming out of my historical voice and developing a contemporary one. I’ve been published in historical romance for over a decade under my real name Tracey J Lyons. Having written with the mid-1800s as the setting for my books and then having to jump forward to the present day was a challenge for me because I had to think in the present. And believe it or not, every once in a while I’d find an historical phrase or two popping up in my contemporary work!

I could see how that would be a problem because I know I would have a real difficulty making a move in the opposite direction. How did you decide how your characters should look? Did pictures inspire you or did you just rely on an active imagination? Maybe you even based them on someone you know or someone you saw walking down the street. Do tell!

I think, as writers, there are certain characters we develop and right away we know how they will look. For me I do have a general idea of hair color, eye color, height etc., but to make a character stand out I might add a scar, or think about skin tones to set them apart from the other characters. And yes, sometimes I do use characteristics from people I know. Everyone has a family member who stands out from the rest and would make a great model character! I have also gone straight to magazines, particularly when developing my hero, Peter O’Malley. I do have issues of a certain magazine’s most beautiful people in my office right now!

That sounds a distracting magazine to have around. I won't ask how often you have to have another peep at it. How did you develop their character traits? I know some people use Tarot or Astrology. Others produce detailed life histories. One writer I interviewed is so organized she even uses a Goal, Motivation and Conflict chart. What about you?

I’ve tried charting and am not organized enough to keep it up to date! I do keep a note book for each book or series that I’m working on so all of the key elements are there, easy to find…when I can find the darned thing in the pile of stuff on my desk! Seriously, I think writers will always take traits from people they’ve met, or even live with, and use them in their work. And let’s face it, some of those traits we know very well and they don’t need to be kept track of because they just flow from our consciousness naturally.

I certainly agree with that. If we weren't interested in other people's characters then we wouldn't have chosen to be writers in the first place. Characteristics are one thing though. A character's goals are another entirely. Can you sum your characters’ goals Zinfandelity in a word or two, or are they multi-layered? Did they keep to their original goals or did things change as you wrote the book? If they did, then please give some examples.

Beth Chadwick has a clear goal from the get go; to flesh out her husband’s cheating ways. Then she sets out to prove to her family that she can stand on her own. She knows that once she proves her husband has been cheating on her that she won’t do what her mother and grandmother did, she will not “stand by her man”.

Just learning that she has to fight her mother and grandmother as well as her husband makes me want to read the book right away. No wonder Beth needs her friends. One of my usual questions is about motives because they drive a character, but I guess Beth's are fairly obvious. How did you deal with developing them as you wrote the book?

Beth’s motives are pretty clear cut from the beginning. In the revision stages of the book, however, I realized they needed to be more defined. I don’t want to give any spoiler alerts, but she does learn she has the strength to stand on her own two feet.

Seeing the heroine grow throughout a story is always good. See, I haven't read the book yet and I'm already rooting for Beth. So, on to the last question, do you like the characters in your book? Are they people you would want to spend time with and if so, which one is your favourite, and which one would you most like to meet and why? That might be the same person of course, but there again, it might not!

I love all the characters in Zinfandelity. Okay, maybe not the husband, Dirk, and sometimes not Beth’s mother. I really want Beth’s best friend, Madge, to be my best friend! She’s fun and pretty, but most important she’s loyal and nonjudgmental. If I weren’t so in love with my husband I’d like to meet the hero of this book, Peter O’Malley. Then again aren’t all of our heroes based on the men we love? So maybe I’ve already met him….

Thanks so much for sharing the back story to Zinfandelity, Tracey. And for letting us know that it is the first book in your Wine Country Vixens series. I hope another one will be out soon. A group of women supporting one another over wine and chat is something I can certainly relate to and I am sure others can too.  You had such a great idea when you wrote Zinfandelity. I hope it's on sale in the winery that started it all.
* * *


An avid lover of books and wine, Tracey has been writing romances for almost thirty years.  She holds membership in Romance Writers of America, Novelists Inc. and Liberty States Fiction Writers.  Tracey and her husband live in downstate New York with two dogs and four chickens. When not busy writing, and wine tasting, she is busy making her husband crazy with renovations on their 1800’s farm house.  To learn more about the Wine Country Vixen series visit www.TraceySorel.com

Visit Tracey on Facebook at www.facebook.com/traceysorelauthor.

Tracey is also published in historical romance. You can learn more about these books by visiting www.traceylyons.com.



You can find my books at http://amzn.to/101Cg0E

Monday, May 20, 2013

Sarah Richmond on The Casting Couch


Sarah Richmond is sitting on my casting couch today so that I can ask her about her book  A Most Ineligible Suitor (Nov 2012) Published by Montlake Romance, it is available in paperback and as an ebook at http://amzn.to/15VFE0i

The story is a fascinating one. On a grand tour to Italy with her cousin, wealthy heiress Marjorie Mayweather is braced for the adventure of a lifetime. After all, this is her chance for one last fling before surrendering herself to Frederick Clive-Bickerton, the well-heeled bachelor intent on marrying her.

But Frederick is the last thing on Marjorie’s mind when she meets the dashing yet chilly Captain Edward Grainger, a fellow resident at the Pensione Ferretti. Vexed by his indifference and enchanted by his ice-blue gaze, she finds herself magnetically drawn to this strangely private gentleman.

Edward must keep his distance, no matter how alluring he finds Marjorie to be. For he’s not really a military captain at all—he’s an undercover agent in pursuit of a notorious jewel thief reported to be staying at the pensione. Can Edward maintain his ruse long enough to nab the criminal among them…or will the affections of a young debutante unravel his entire investigation?

Now I want to find out why Sarah wrote this book.
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Hi Sarah. Thank you for agreeing to sit on my casting couch. I love the cover for A Most Ineligible Suitor. The heroine looks so elegant. What prompted the idea for this book?

While on a visit to Lucca in Italy, we visited Puccini’s home. I wanted to write about a heroine who lived in the same era. Puccini wrote in the ‘verisimo’ or realism style. His plays show brutality and violence, poverty and want. My heroine has been sheltered. She knows nothing of the world outside her small circle of wealth and privilege. Her trip to Italy is an eye-opener for her.

Another inspiration came from a painting by John Singer Sargent called ‘Group with Parasols’. The light he used reminded me of Italy. The ladies in the scene are dressed in white linen and are enjoying an outdoor picnic, something my heroine would love to do.

Your inspiration for this book really resonates with me Sarah because a few years ago I was lucky enough to visit Lucca myself. I was also a guest at the annual Puccini on the Lake festival in nearby Torre del Lago.  A moonlit evening spent listening to Puccini's Tosca at the outdoor theatre on the lake while bats swooped above the opera singers was a magical experience. I would imagine that Marjorie Mayweather would have enjoyed it too. What a wonderful setting you have chosen for your book.

Tell me, how did you develop the story? Did you work through the plot first and then cast the characters, or was it characters first?

I always decide on the story I want to tell and then pick the characters who best help show the elements of the story.

In A Most Ineligible Suitor, the heroine is on holiday with a distant cousin. She is very much a free spirit who has escaped to a country with fewer social restrictions than she is used to and with a decorum different from English society. She is having the time of her life.

The hero is an Englishman. He is in disguise and his purpose for being in Italy—to catch an international jewel thief--is complicated by her antics. He is not comfortable about being dishonest with her, and yet he has a duty to his profession to pretend to be someone he isn’t.
What she teaches him about life and love is the theme of the story.

Which characters were the hardest for you to develop and why? 

The male point of view is always more difficult for me. The challenge is to make the hero strong without being brutal, decisive without being unkind. The reader must understand his motivation, even sympathize with his flaws, but he can never be pitiful or weak.

How did you decide how your characters should look, especially Marjorie, who had to look true to her time?

There are many wonderful websites that show pictures of the ladies in the late Victorian era. I especially took note of the couture dresses and bridal dresses of the times, which are a delight.  www.Victoriana.com is one of my favorite websites to visit.

 Do you have a trick to help you develop your characters’ traits?

I rely on Heroes and Heroine by Tami D. Cowden, Caro LaFever, and Sue Viders. When I have a heroine in mind, I look through H and H and find the worst possible traits in a hero for her to fall in love with which leads to all kinds of delicious conflict.

I've not heard of that Sarah. It sound fascinating and I love that you search for the worst possible traits in your hero. You don't make it easy for the heroine do you? Are there other things you also do to develop their personalities?

I also use people I have met on my travels. Some characters are a combination of traits of the people I have known.

Marjorie is a misfit in some ways and doesn’t realize why until she comes to Italy.
Edward, having been raised in a strict household with no mother, doesn’t know how to express love. He may not even know, in the beginning, what love is.

All characters have goals. Can you sum your characters’ goals in A Most Ineligible Suitor in a word or two, or are they too multi-layered?

They have short term external goals: Edward is trying to catch a thief while Marjorie is on vacation and wants to see the sites. Overlaying those, however, are their long term internal goals: To love and find love.

Do you like the characters in this book? Are they people you would want to spend time with and if so, which one is your favorite, and which one would you most like to meet and why? 

Marjorie introduces herself this way: “My name is Marjorie Mayweather and people tell me I have a sunny disposition. Who wouldn’t with a name such as Mayweather?”

I like a heroine who can be at ease with people, probably because I have always been rather shy. She’s smart. She knows in her circle she must act totally defenseless so that the suitor will feel manly. This does not bother her until she meets the hero. He understands her better than she understands herself.

Meeting the right man makes all the difference!

As for who I’d like to meet, the villain of the story is my most favorite character of all. He is so much fun to read about and to try to figure out a motivation, or what possible reason there must be for such bad behavior. I could have such a good conversation with my villain, I think.

Wow! You really want to meet your villain! That makes you a very brave writer. I always want to consign my villains to the devil. It's been fun talking to you Sarah. Your book sounds a great read.

Thank you for this opportunity to talk about A Most Ineligible Suitor. I had so much fun writing the book.
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Multi-published author Sarah Richmond is Winner of the Hearts Through History 'Romance Through the Ages' and an EPPIE finalist.

She loves to tell stories about women in historical settings,the unique challenges they faced and the men they loved.
Sarah lives in Southern California and is a member of RWA-San Diego and East Valley Authors.

Visit Sarah online to read more about her books at www.sarahrichmond.com









You can find my books at http://amzn.to/ZSyLpf